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For Aldean, the song’s message is simple: “Don’t talk down about things you’ve never experienced.
“It’s what we live to do.” The new album’s title track, meanwhile, pays respect to small-town Americans, whom the singer grew up admiring on the outskirts of Macon, Ga.
“It’s about honoring the guys who get to the stadium at six in the morning setting up the show and waiting on the fans to get there,” explains Aldean. It’s why “Lights Come On,” an ode to blue-collar Joes letting loose on a Friday night, including those doing the back-breaking work of putting on a Jason Aldean show nightly, still resonates with fans. Sticking up for and representing the little guy is part of what has made Aldean a superstar. It’s about the writers, publishers, producers, everybody who’s getting the short end of the stick on this deal.” “It’s about wanting to stand up for not only myself but for an entire genre of music and an entire town - Nashville. “This isn’t about me making more money,” he says.
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To compromise, for the first month of its release, They Don’t Know will not be offered on any streaming service - only as a digital download and CD.
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As an investor in the Jay Z-owned streaming service Tidal, he has vacillated between listening to fans who want to stream music for free and supporting the Nashville songwriters who count on royalty checks to pay the bills. It never crossed my mind.”Įven with the fame, in many regards Aldean is still as untamed as the kid his longtime producer Michael Knox first encountered when he discovered him in 1998 at a showcase in Smyrna, Ga., with his cowboy hat slung low, like a bull rider.
If that was disrespectful to anyone, I by all means apologize. Media tends to make a big deal out of things. “Me doing that had zero malicious intent … I get that race is a touchy subject, but not everybody is that way. “In this day and age people are so sensitive that no matter what you do, somebody is going to make a big deal out of it,” he says. The singer, publicly addressing the situation for the first time, says he just wanted to hang out with friends, found the costume in a store and Kerr, a makeup artist, painted his face so he could go unrecognized in public. Luke Bryan, Kenny Chesney & More Ready Fall AlbumsĬontroversy reared its head once again during Halloween 2015 when photos of Aldean dressed in blackface as rapper Lil Wayne circulated online. It’s nice to have my partner with me out there. It’s a lot of traveling, not sleeping, working day after day without a day off. We’re on the road, and we play music for a living. “It gives her a chance to see the stuff I go through. “It has been good having Britt out on the road,” he reflects. This summer, Kerr and his daughters Keeley, 13, and Kendyl, 9, went on tour with him. Perhaps as a result, Aldean has tightened his inner circle. Seven months after the story broke, Aldean filed for divorce from his high-school sweetheart Jessica Ussery. The first clear signal of his fame came in 2012 when TMZ published photos of him making out in a Sunset Strip bar with American Idol contestant Brittany Kerr.
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1 (“Lights Come On,” the first offering from They Don’t Know, became his 15th chart-topper on Billboard’s Country Airplay tally in July), but fame’s increased visibility has come with drawbacks.Īfter creating a catalog of chart-topping hits, including “Dirt Road Anthem,” “She’s Country” and “Burnin’ It Down,” and building a devoted fan base to become one of the biggest arena artists in country today, Aldean, 39, has had to learn how to navigate an increasingly intrusive media. He’s now at a point in his career where he can easily send a single to No.
Gearing up to hit the road this fall on his Six String Circus arena tour to introduce fans to his seventh studio album, Aldean is learning the hard way that life at the top of the charts comes with its own set of obstacles. The Promise & Perseverance of Detroit Rap's Rising Stars
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